中小学教材分析与案例设计(2016级)选修
Catégorie de cours音乐学院
《音乐教材分析与教学设计》,通过对中小学音乐教材的分析梳理,使学生理解教材编写的理念、内容呈现的方式、各知识点的联系等,在理解教材的基础上,学生要学会使用教材,力求并编写出适合中小学教学实际的教学设计。课程为必修和选修性质,共开设一学期。
Enseignant: 李婷
专业英语 Academic English(音乐学院 - 国际合作办学部课程) 四学期之四 - 已结课 19/20b
Catégorie de cours音乐学院
Course Description:
This course aims at helping students integrate an intellectual understanding of music with its realization in sound. Emphasis will be placed on real-time listening and analysis. Students will learn:
- Harmonic and formal principles in common-practice tonal music, and how these are used in different contexts;
- Compositional strategies for generating structural and/or expressive expectations;
- The inter-relationship of tonal syntax, phrase structure, motivic organization, and stylistic character;
- Different strategies for constructing analytical interpretations;
- Ways of communicating musical insights through verbal or written means in English.
Textbook:
Burstein & Straus (2016) Concise Introduction to Tonal Harmony - 1st edition
Attendance:
Attendance is mandatory at both lecture and individual meetings, and the most critical part of your grading. Using electronic devices is not allowed in the class.
Homework Policy:
- Assignments from the workbook will be due the week after it is assigned.
- Marks will be deducted (by 50%) for a late submission.
- Assignments submitted more than two weeks late or submitted after the instructor has already handed back the corrected assignments to the class will not be accepted.
- Specific guidelines on assignments of the academic writing will be issued separately.
- Work on your own. Students handing in assignments/papers with unreasonably similar features may raise questions of originality and plagiarism.
This course aims at helping students integrate an intellectual understanding of music with its realization in sound. Emphasis will be placed on real-time listening and analysis. Students will learn:
- Harmonic and formal principles in common-practice tonal music, and how these are used in different contexts;
- Compositional strategies for generating structural and/or expressive expectations;
- The inter-relationship of tonal syntax, phrase structure, motivic organization, and stylistic character;
- Different strategies for constructing analytical interpretations;
- Ways of communicating musical insights through verbal or written means in English.
Textbook:
Burstein & Straus (2016) Concise Introduction to Tonal Harmony - 1st edition
Attendance:
Attendance is mandatory at both lecture and individual meetings, and the most critical part of your grading. Using electronic devices is not allowed in the class.
Homework Policy:
- Assignments from the workbook will be due the week after it is assigned.
- Marks will be deducted (by 50%) for a late submission.
- Assignments submitted more than two weeks late or submitted after the instructor has already handed back the corrected assignments to the class will not be accepted.
- Specific guidelines on assignments of the academic writing will be issued separately.
- Work on your own. Students handing in assignments/papers with unreasonably similar features may raise questions of originality and plagiarism.
Enseignant: 陈仰平
专业英语 Academic English(音乐学院 - 国际合作办学部课程) 四学期之二 - 已结课 19/20b
Catégorie de cours音乐学院
Course Description:
This course aims at helping students integrate an intellectual understanding of music by using English in both academic and professional ways. Emphasis will be placed on text reading, real-time listening, and analysis.
Students will learn:
- Harmonic and formal principles in common-practice tonal music, and how these are used in different contexts;
- Compositional strategies for generating structural and/or expressive expectations;
- The inter-relationship of tonal syntax, phrase structure, motivic organization, and stylistic character;
- Different strategies for constructing analytical interpretations;
- Ways of communicating musical insights through verbal or written means in English.
Attendance:
Attendance is mandatory at both lecture and individual meetings, and the most critical part of your grading.
Textbook:
Burstein & Straus (2016) Concise Introduction to Tonal Harmony - 1st edition
Homework Policy:
- Assignments from the workbook will be due the week after it is assigned.
- Marks will be deducted (by 50%) for a late submission.
- Assignments submitted more than two weeks late or submitted after the instructor has already handed back the corrected assignments to the class will not be accepted.
- Specific guidelines on assignments of the academic writing will be issued separately.
- Work on your own. Students handing in assignments/papers with unreasonably similar features may raise questions of originality and plagiarism.
This course aims at helping students integrate an intellectual understanding of music by using English in both academic and professional ways. Emphasis will be placed on text reading, real-time listening, and analysis.
Students will learn:
- Harmonic and formal principles in common-practice tonal music, and how these are used in different contexts;
- Compositional strategies for generating structural and/or expressive expectations;
- The inter-relationship of tonal syntax, phrase structure, motivic organization, and stylistic character;
- Different strategies for constructing analytical interpretations;
- Ways of communicating musical insights through verbal or written means in English.
Attendance:
Attendance is mandatory at both lecture and individual meetings, and the most critical part of your grading.
Textbook:
Burstein & Straus (2016) Concise Introduction to Tonal Harmony - 1st edition
Homework Policy:
- Assignments from the workbook will be due the week after it is assigned.
- Marks will be deducted (by 50%) for a late submission.
- Assignments submitted more than two weeks late or submitted after the instructor has already handed back the corrected assignments to the class will not be accepted.
- Specific guidelines on assignments of the academic writing will be issued separately.
- Work on your own. Students handing in assignments/papers with unreasonably similar features may raise questions of originality and plagiarism.
Enseignant: 陈仰平
Piano Group Study 2-2020
Catégorie de cours音乐学院
心理学基础-2020
Catégorie de cours音乐学院
《学校音乐教育导论与教材教法》(2014级)
Catégorie de cours音乐学院
1.该课程采用线上与线下相结合的方式开展混合式教学。首先,选择合适的教学内容,进行“微课”视频的录制。选择录制微课的基本思路是以主题为微课内容的联结,或者以知识点为内容选择的依据。教师依据教学计划和大纲设计规划教学目标,然后围绕教学目标研制微课。学生则通过线上学习微课以及线下教师的讲解,将学习内容进行深化。教师在根据学生的学习情况来反馈和调整教学目标,教师、学生、教学目标之间形成一种三角互动的关系。
2.倡导学生自主、开放、个性化的学习——通过微课的学习,学生可以根据自己的兴趣与特长,自主选择深化学习内容。其次,可通过反复观看微视频,加深对学习内容的记忆与理解,进行个性化的学习。
3.建立多元的评价模式——以微课为媒介的教学模式,建立在互动的师生关系上,教师对学生的学习态度、知识与技能、学习过程、学习方法的有效性进行评价。学生也可对教师的教学态度、教学方法等做出相应的评价,帮助教师适时调整教学策略,强调交互式的师生对话。
Enseignant: 王朝霞
中国音乐史与名作赏析(2) 2021.3-2021.6 (2019级)
Catégorie de cours音乐学院本科生课程(19-20下)
Enseignant: 李婷
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